For the BelgianArtPrize, Otobong Nkanga is interested in the notions of corrosion, oxidation, impregnation and contamination. With three textile pieces and a steel sculpture, she continues to explore the transformation processes of materials. She experiments with crystallization of a textile piece (Steel to Rust ? Slow Growth), or with a rusted and laser-cut plate in steel, evoking the effects of corrosion (Steel to Rust ? Resistance), or in another textile piece with the slow impregnation of a liquid contaminating thus the poem that has been woven in it (In a Place Yet Unknown). Her inspiration comes from the transformation processes present in our society, seemingly built on cast-iron values, but in which hide beneath the surface (in)visible mechanisms of corrosion, crystallisation of ideologies and the birth of new structures, all signs of life.
Palais des Beaux-Arts
Rue Ravenstein 23